Right now, I’m alone and hungry, and the relative silence I count on for creativity is hampered by the bathroom fan which is running because when I took our garbage down, I found a magnetic toothbrush haphazardly stuck to our dumpster and brought it home because it made me laugh, and I had some spray paint that would make it even funnier, so I took it out on the deck and sprayed it dark red, but the spray paint smelled toxic and it’s too cold to leave it outside to dry, so the toothbrush is drying in the bathroom: loud fan, thin door.
I’m going to leave myself hungry for a while because disruption and deprivation are rare for most of us and even small approximations are revealing. I have a chocolate bar at my elbow and granola a few feet away. I have Yo-Yo Ma ready to play on YouTube, and I’m fairly certain God would stop by for a cup of coffee or a glass of wine. I have only to click, access, or ask. But I’m not going to. For this moment: No food. No silence. No God. No music.
Under my nose, my hands come together between paragraphs, and I realize that due to definitions, the No-God option is unavailable. Maybe this is a good thing. I breathe deeply and catch a whiff of that sharp smell escaping from the bathroom. I wonder if this is penance. I wonder if I need mercy.
I wonder if I could think more clearly if I had a bowl of granola. Mercies aren’t necessarily merciful, and God’s ever-presence is neither blessing nor curse. I wonder if I could spray paint God to increase visibility. I hear a chuckle. I wonder if I could make God hungry. I hear a groan.
“Fine,” I say to God. “You may as well materialize. Put your feet up. Enjoy the view. Want some tea? Granola?”
God infuses the room diaphanous, translucent. Not hungry. Not visible. My hands elongate, my feet lose sensation, my vision expands, distorts, softens.
“No thanks,” God says, without making a sound.
“Then why are you here?” I ask, in an ungracious way.
“If I told you, I’d have to kill you,” God says, lifting a line from a recent detective show. “Besides, how do you know I’m here?”
I leave the unsteady room to check on the toothbrush. It’s dry. I wave it at God. “Seriously, what do you want? Why do you come by?” The toothbrush snaps itself to the refrigerator thanks to a magnet of considerable strength. But it’s kind of creepy sticking out there, deep red, reminiscent of bleeding gums. This won’t do. I need a gallery for found art and profound despair, and I need a cathedral where I can paint God into a corner. Both are unlikely.
I click, and Yo-Yo Ma begins to perform. I pour a bowl of granola and smile at God who has coalesced into a paintbrush dipped in turquoise. I’m working on a self-portrait. I’m not sure which colors to use, but for now, turquoise might be perfect.