On this somber morning, the chalky smell of old lessons fills my nose, and I remember posing beside a piece of art created to decompose. The Artist lingers nearby, a tortured soul, ready to recompose when the time is right.
Broken birds and fallen women find redemption in the great yellowness of a steady sun. This has always been the Artist’s intention, but it’s hard to admit because we like to make our own little plans and pretend the forts we build will protect us forever. What can we make true by pretending? What do you want to count on? Which lies are you willing to live by or tell the children?
If you mix pure gold with tired red blood you get a burnt orange that catches and holds the holy light so gently even tiny things are seen and safe. I am old, but I miss my mother. I am wise but certain of nothing. I know I’m of use, but I’m not sure why. Even the forgotten are of use, but they don’t know why either.
Once, we were butchering chickens. The uproar was astounding, the panic widespread. My lover, a city boy, was in charge of catching the fat, terrified hens and handing them to the person with the ax. He’d grab one by the leg, cradle her in his arms, and stroke her downy white feathers. “It’ll be okay, little buddy,” he’d say in a soothing voice. “It’ll be okay.” But then, for some reason, he heard himself. He stammered and stepped back, pale and appalled. I think he wanted to abandon his post. But there was no point. It was harvest time. The chickens were plump and ready. It had to be done, and it would be okay. The cosmic joke was on him and the chickens and anyone who fails to grasp redemption. It is neither cheap nor easy, but it is guaranteed. The chickens were perfect and delicious.