Angles of Repose and Other Non Sequiturs

What do you suppose the angle of repose would be for those pyramids of dead bodies we’ve seen in the news over the years? (The angle of repose is the steepest angle at which a sloping surface formed of a particular loose material is stable.)

Syria. Tuam. Viet Nam. The Sudan. Gaza. The victims of Covid in Brazil. In these places, they would know.

Mass graves are frowned upon here in our modern and stolen country, so most of us will not witness haphazard heaps of people firsthand. We have refrigeration and waiting lists. We prefer to deport or enslave rather than outright slaughter.

Most mornings, I either cry or paint something. Some days, it’s yellow. Others, dark blue. Or a swirling medley of colors interacting aggressively with each other. Sometimes, I glue broken bits of mirror into new shapes. It can get messy.

“What would you like to cover today?” I ask Royal Blue. Before Royal Blue can respond, Blood Red shoves Royal Blue aside, and a firing squad tosses the sanctity of life into the air and takes aim.

“Knock it off right now,” I yell at Blood Red. “I MEAN IT.”

Blood Red shrugs. “Fine. But you know I’ll be back.”

Something ends. Something begins. Breakage and destruction are part of rebirth. A long time ago, at the end of an especially magical youth camp, I considered smashing my guitar so I could give everyone a splinter. I had the odd notion that this would keep us together. But smashing my guitar seemed a bit extreme. Instead, I pulled apart a pheasant feather that had traveled in my guitar case for years and handed the astonished circle bits of pheasant down.

 Now, most days, I wonder if I have something I could dismember to express my outrage and despair. To break hope open. To keep us together.

“Heroics come in many guises,” the Paint Brush whispers. “You do you. No need to come apart just yet.”

“That’s nice of you to say, Paint Brush,” I shake my head. “But I’m no longer flexible enough to kick myself in the butt.”

“Who cares?” Paint Brush scoffs. “Bruises aren’t the best motivators. How about a cookie?”

“Not hungry,” I mumble.

“Oh, honey,” Paint Brush says gently. “You have no idea how hungry you are.”

Eyes For Eyes

We shall require a substantially new manner of thinking if mankind is to survive. –Albert Einstein

Little Ralphie slugged Little Lana in the stomach, and she fell. He punched her in the face and broke her nose. Blood spurted. She curled inward. He kicked and stomped on her leg. She screamed.

Adult responses:

  1. Yank Little Ralphie up and commence beating him.
  2. Drag Little Ralphie to the edge of town and stone him.
  3. Castrate Little Ralphie so he cannot reproduce his own kind.
  4. Let Little Lana do to Ralphie what was done unto her.
  5. Lock Little Ralphie up and while starving him to death, fine his parents, and give the money to Little Lana.

But wait. Little Ralphie had found Little Lana using a cattle prod on his beloved grandfather. Little Lana was howling with laughter as the grandfather twitched in his wheelchair and cried out for help. While torturing him, Little Lana taunted the grandfather. “You’re a worthless, helpless pile of shit. Pathetic. I hate you.”

Adult responses:

  1. Grab the cattle prod and begin shocking Little Lana.
  2. Cage Little Lana up.
  3. Sterilize Little Lana so she cannot produce children like herself.
  4. Roll the grandfather to a safe place and then shake Little Lana to death.
  5. Rape Little Lana to put her in her place.

But wait. Little Lana has already been raped. Repeatedly. By the grandfather, of course. And he’d just tried to pull her onto his lap, calling her his favorite slut, whispering that he was going to sell her to his neighbor. He said he had pictures of her woo-woo and she’d bring a decent price.

Adult responses:

Make a violent, erotic movie about the whole sequence. Wring hands. Donate to a charity. Introduce tariffs on pornography, fentanyl, and wheelchairs. Sell more guns. Fantasize living on another planet. Rape the grandfather.

Bam

“I don’t think I’ve ever seen you this whacked out,” my Coauthor observes.

“Is extermination the correct adult response to our species?” I snarl.

“Maybe yes. Maybe no. Remember, you’re just illusions of organized molecules,” Coauthor smiles.

“And sometimes, you’re just a Bad Idea.” I turn away. “This illusion of molecules is going to distract herself with something beautiful.”

“Excellent!” Bad Idea exclaims. “I’ll come with you.”

We kneel in the garden where a tulip has bloomed blood red and watch molecules shaped like Little Ralphie and Little Lana care for their offspring. I scream the names of the Baby Gods dead in Gaza and dread the adulthood of those who survive.

Methane continues to escape from the warming permafrost. Bullets fly. Bombs drop. Idiots rule. I dissipate into a momentary dream of justice. My Coauthor dissipates with me. Therein lies my only hope.