
On one of my all-time favorite British sitcoms, The Vicar of Dibley, there was a character who answered any inquiry with no, no, no, no, no, no, no…. Then his oppositional stuttering would shift abruptly to something like, “Yes, sounds good.” This made the vicar roll her eyes and the audience laugh. Every time.
That sums up my relationship with my Coauthor fairly well. I look at the deep divisions in the world, the absolute necessity of being loving and forgiving, shake my head, and say No, no, no, no, no. Then I breathe, consider the options, and say Yes. Not because anything looks or sounds all that good. It’s just that Yes is the best answer available.
And the audience laughs. Every time.
The vultures laugh. The sparrows laugh. Friends and enemies laugh. The feasting deer lift their heads and laugh. Secure in the lap of forever, the souls of the brutally departed laugh. Fire-setters, firefighters, funeral directors, midwives, engineers, artists, jailers with rings of keys, pilots with bombing planes, producers of poison, planters of organic seeds.
Laughing. Every time.
But what’s so funny? The knee-jerk string of NOs? The pivot to YES?
“It’s all funny,” my Coauthor says. “Every bit of it.”
“I beg to differ,” I say.
“Of course you do,” my Coauthor chuckles. “See? Now, go ahead and get to yes.”
“No, no, no, no, no,” I say, shaking my head.
“There’s a Yes in there somewhere,” God insists, sneaking toward me with tickle fingers, making ridiculous, nostril-flaring faces, tossing popcorn in the air to catch in his mouth—the Clown of Heaven, the Fathomless Fool.
“YES!” I yell. “Stop! You’re absurd.”
“No,” God laughs. “No, no, no, no, no.”
“Very funny,” I say. “Now, go ahead and get to yes.”
“Already there,” God smiles. “C’mon in. I’ve got wine and fresh bread.”
The Yes propels me forward. I take my place at the table and break the loaf open, crusty and warm. The wine is bitter, but there are carrots sweetened by the frost and a steaming cup of tea. I am grateful despite the costs and challenges in such wanton communion.
“Yes,” I say, soberly, allowing my eyes to see.
“Yes,” God nods with compassion.
And the day begins. It will be filled with divine comedies, embodied tragedies, the futile and the fulfilling. Most of the doors will be left unlocked, swinging freely in the wind.





