
What do you suppose the angle of repose would be for those pyramids of dead bodies we’ve seen in the news over the years? (The angle of repose is the steepest angle at which a sloping surface formed of a particular loose material is stable.)
Syria. Tuam. Viet Nam. The Sudan. Gaza. The victims of Covid in Brazil. In these places, they would know.
Mass graves are frowned upon here in our modern and stolen country, so most of us will not witness haphazard heaps of people firsthand. We have refrigeration and waiting lists. We prefer to deport or enslave rather than outright slaughter.
Most mornings, I either cry or paint something. Some days, it’s yellow. Others, dark blue. Or a swirling medley of colors interacting aggressively with each other. Sometimes, I glue broken bits of mirror into new shapes. It can get messy.
“What would you like to cover today?” I ask Royal Blue. Before Royal Blue can respond, Blood Red shoves Royal Blue aside, and a firing squad tosses the sanctity of life into the air and takes aim.
“Knock it off right now,” I yell at Blood Red. “I MEAN IT.”
Blood Red shrugs. “Fine. But you know I’ll be back.”
Something ends. Something begins. Breakage and destruction are part of rebirth. A long time ago, at the end of an especially magical youth camp, I considered smashing my guitar so I could give everyone a splinter. I had the odd notion that this would keep us together. But smashing my guitar seemed a bit extreme. Instead, I pulled apart a pheasant feather that had traveled in my guitar case for years and handed the astonished circle bits of pheasant down.
Now, most days, I wonder if I have something I could dismember to express my outrage and despair. To break hope open. To keep us together.
“Heroics come in many guises,” the Paint Brush whispers. “You do you. No need to come apart just yet.”
“That’s nice of you to say, Paint Brush,” I shake my head. “But I’m no longer flexible enough to kick myself in the butt.”
“Who cares?” Paint Brush scoffs. “Bruises aren’t the best motivators. How about a cookie?”
“Not hungry,” I mumble.
“Oh, honey,” Paint Brush says gently. “You have no idea how hungry you are.”





