Tag: creation

Inviting Abuse

Rita Sommers-Flanagan2 Comments

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God and I were philosophizing as we watched the snow pile up. I was wound up—as in downright nasty. “The thing about power is that it brings out the worst in everyone. Like when people weaker than I am mess up and instead of owning up and apologizing, they lash out, make excuses, lie, threaten, and offend. What is wrong with them? Don’t they know they are squishable little bugs?” God raised an eyebrow, but it didn’t phase me. I ranted on. “It’s like they’re baiting me, inviting abuse.”

God frowned and held up her hand. “Whoa there cowgirl, let’s slow down a minute. Of course it’s an invitation. But not for abuse. It’s a screamingly clear invitation for compassion. You hold the cards. I think you know that.”

I glared. The way I saw it, if anyone should be screaming, it should be me. “Yeah, fine, compassion,” I snarled. “But what about me? What about justice? It isn’t fair. People act as if I’m to blame for their bad decisions and bad luck. At least they could say they’re sorry. A lot of people deserve a good whack, they need to be served papers, they need a call from my attorney.”

“You don’t have an attorney,” God said patiently.

“Well, I could damn well get one,” I snapped.

“So could I,” God said.

Unthinkable implications flood the room. God with an attorney. I grabbed the fragments of power I thought were mine, wove them into a raft, and tried to row away. “I’m worthless,” I shouted. “Leave me alone.” I broke into a sweat as I pulled on the oars.

“Here, let me help,” God said, as she settled herself beside me on the leaky vessel. We rowed shoulder to shoulder, gliding over all the angst and blame in the world. I began to let down my guard, but then I realized that the escape route I’d chosen was circular. I panicked and hyperventilated. “We’ve gone in circles,” I yelled, humiliated and filled with dread.

God smiled. “Honey, all escape routes are circular. That’s how I laid things out. Check Google Earth sometime.” She kept rowing, maddeningly cheerful. So, I just gave up. We spent the day exploring the concentric wonderments of creation, the gravitational guidance of long-suffering servants, critical masses of insects and starlings, visions and dreams. By evening, I was completely spent. I laid my head in God’s lap and reached for her hand.

“What are you so afraid of?” God asked as she stroked my hair. I thought as hard as I could, given my exhaustion, the rocking motion of the settled sea, and the distracting brilliance of her deep black eyes. “I don’t know for sure,” I mumbled.

The last thing I heard was the gravely laughter of God playing a game of poker with a rowdy crowd of whiners. She had a royal flush. Her winnings covered a multitude of sins, imagined or otherwise. God pulled the soft flannel blanket of mortality up to my chin, and I drifted off to sleep in the orbit of a forgiving moon.

 

Good artists copy. Great artists steal.

Rita Sommers-Flanagan5 Comments

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“Hey, Original Source,” I said, feeling magnanimous. “Want to borrow a brush? I’ve made a lot of extra orange.” It’s hard to mix a good, true orange.

“Sure,” Original Source said. “I love orange.”

“Cool,” I said, growing self-conscious as she scrutinized my cheap paintbrushes.

Lately, I’ve been painting sticks and other smooth surfaces. Furniture. Old wooden boxes. Broom handles. Sometimes, I follow the patterns in the wood. Other times, I find an image and sketch it on whatever recycled object is available. I feel a little guilty, but the truth is, I’m a copyist. A reconfigurist. What I add is imperfection, which turns out to be an oddly satisfying addition.

No one creates from emptiness. There’s always preexisting light, or former acts of creation, partially dismantled. Digested. Great artists translate and solve problems. I envy their inner vision. But even then, Original Source is present, sometimes made more salient by denial.

“Look,” I said, showing Original Source a picture of a trout I’d painted on a piece of discarded trim board. “I saw this fish on the internet and painted it. I call it fish stick.”

She laughed. Original Source laughed. She howled. Her mouth opened wide; her beautiful teeth gleamed. Her mouth was a river. The room filled with clear water and rainbow trout. They swam in adoring circles around her, and after I grew my gills and fins, I joined them. Original Source troubled the waters with ribbons of lavender light. I longed to grab them, but I had no hands. In fact, there wasn’t much left of me, and it was such a relief. I wanted to give the rest away. I offered myself to the fish.

“Oh no you don’t,” Original Source said, as the waters receded and the fish went home. My limbs regrew, my old body reassembled. The awkward mixture of secondary colors that define me returned. I didn’t want any of it. I wanted to dissolve into a single, primary color. “Not an option,” she said. “Your complexity is my delight.”

I lifted my hands to protest, but she continued. “When I lean into your soul and whisper a secret, you naturally mix it with what you already know, and when you pass it on, it takes a fraction of you with it.”

“Well,” I said. “That seems like a bad idea.”

“Not necessarily,” she said. “It’s one of the ways the universe expands. Keep painting. Whisper the truth. There are so many reasons for violet. Chartreuse. Magenta. Glaucous and marengo. In time, you’ll learn to love them all.”

“I already do,” I said.

“Ok, then,” she said. “Let’s use up this orange before it dries.”