Tag: Color

Hair

Rita Sommers-Flanagan1 Comment

Human hair is fascinating. We’re not nearly as furry as our ancestors and cousins, but we still sprout the stuff. Left alone, it signals everything from how old you are to how well you slept last night. But of course, we don’t leave it alone. We cover it, color it, play with it, yank it out, let it sluff off, implant, extend, shave, curl, straighten; We cut it, dreadlock it, donate it, and occasionally douse it to kill off the lice.

We’re sometimes born bald. We sometimes die bald. I was yanked from the womb early with forceps that left my head badly misshapen. Fine tufts gradually grew in, and my hair was unremarkable for decades. But then God let cancer have a go at me, and the chemo stripped it all back off.

“What???” God says, emphatically.

“Yes, all of it. Legs, arms, eyebrows, privates…”

“I know what you mean, but ‘God let cancer have a go?’ C’mon. Is that really how you see it?”

“What other way is there?” Me, arms crossed. God, preening in the mirror.

I don’t want platitudes for an answer. In my limited view, if God is God, then that’s that. Good and evil might seem definable in the moment, but as time in our mortal bodies passes, clarity fades and boundaries blur. Any kind of loss, torture, crucifixion, or disease takes a terrible toll. But endings, unsettlings, baldings, and pain often provide the energy necessary for rebirth, joy, peace, and health.

“True,” God says. “But even that isn’t the whole story.”

“So, then what’s the whole story?” I ask. But I have a pretty good idea what God is going to say.

“There is no such thing as a whole story,” God says, with a grin larger than necessary. “The wholeness of the story is in the process. There are no tragic or happy endings, because there are no endings.”

“I knew you were going to say something impossible like that,” I say. “And you know they feel like endings, right?” I tip my head to the side and add, “At least you didn’t blame anyone.”

God touches my face, kisses my head, and nods. “Nice chatting, but I need to go now. I’ve got a hair appointment. Just a trim, but I’m thinking of adding strands of purple here and there.”

God is beautifully grey, but purple will be a nice addition. And as for me, my hair’s been more or less back for five years now. I’m into bleach and occasional blue, but I have tubes of red, green, pink, and turquoise at the ready. I like having choices, but–here’s a small confession—if I don’t like the outcomes, it’s nice to have God around to help me reconfigure.

Good artists copy. Great artists steal.

Rita Sommers-Flanagan5 Comments

IMG_2664 (2)

“Hey, Original Source,” I said, feeling magnanimous. “Want to borrow a brush? I’ve made a lot of extra orange.” It’s hard to mix a good, true orange.

“Sure,” Original Source said. “I love orange.”

“Cool,” I said, growing self-conscious as she scrutinized my cheap paintbrushes.

Lately, I’ve been painting sticks and other smooth surfaces. Furniture. Old wooden boxes. Broom handles. Sometimes, I follow the patterns in the wood. Other times, I find an image and sketch it on whatever recycled object is available. I feel a little guilty, but the truth is, I’m a copyist. A reconfigurist. What I add is imperfection, which turns out to be an oddly satisfying addition.

No one creates from emptiness. There’s always preexisting light, or former acts of creation, partially dismantled. Digested. Great artists translate and solve problems. I envy their inner vision. But even then, Original Source is present, sometimes made more salient by denial.

“Look,” I said, showing Original Source a picture of a trout I’d painted on a piece of discarded trim board. “I saw this fish on the internet and painted it. I call it fish stick.”

She laughed. Original Source laughed. She howled. Her mouth opened wide; her beautiful teeth gleamed. Her mouth was a river. The room filled with clear water and rainbow trout. They swam in adoring circles around her, and after I grew my gills and fins, I joined them. Original Source troubled the waters with ribbons of lavender light. I longed to grab them, but I had no hands. In fact, there wasn’t much left of me, and it was such a relief. I wanted to give the rest away. I offered myself to the fish.

“Oh no you don’t,” Original Source said, as the waters receded and the fish went home. My limbs regrew, my old body reassembled. The awkward mixture of secondary colors that define me returned. I didn’t want any of it. I wanted to dissolve into a single, primary color. “Not an option,” she said. “Your complexity is my delight.”

I lifted my hands to protest, but she continued. “When I lean into your soul and whisper a secret, you naturally mix it with what you already know, and when you pass it on, it takes a fraction of you with it.”

“Well,” I said. “That seems like a bad idea.”

“Not necessarily,” she said. “It’s one of the ways the universe expands. Keep painting. Whisper the truth. There are so many reasons for violet. Chartreuse. Magenta. Glaucous and marengo. In time, you’ll learn to love them all.”

“I already do,” I said.

“Ok, then,” she said. “Let’s use up this orange before it dries.”