Who You Talking To?


R: Hey, G. It’s way below zero. You planning to show up today?
G: I always show up. I live in the thermometer. It’s your job to recognize me.
R: Yeah. But your guises and costumes are confusing.
G: So? What are you afraid of? Strike up a conversation. Take a risk.
R: With a thermometer?
G: With it all. You never know.
R: It’s embarrassing to walk up to someone you think you know and then be wrong.
G: Sorry, but I can’t relate. I always know.
R: Very funny. And not helpful.

The barely visible mercury. The snap of the fire. The murmur of the icy river, the taste of dark beer, the sound of shuffling objects indicating my beloved is nearby, the settling of dust and ash, the brain interpreting visual input as both beautiful and fatal. The skeletal view of truths I do not want to accept.

Acceptance itself.

R: Why do you bother to animate? To engage?
G: To quote your grandmother, 'Honey, it’s no bother at all.'
R: She lied sometimes.
G: I don’t.
R: I wish you did. I wish you issued false reassurances so I could be calm and happy.
G: You can be calm and happy without lies.
R: Platitudes and promises.
G: Dutch ovens and sour dough.
R: Could you just stay in your lane?
G: It’s a long race, R. And I love switching lanes.
R: No, seriously, G. Many of us realize you don’t exist the way we wish you did.
G: Finally.

Unknowability shelters me from dogma and ill-advised faith. If there’s no rhyme or reason, if there’s no hell or heaven, if all we have is mercy, then let me be merciful. If all we have is kindness, then let me be kind. If all we have is this day, this moment, this breath, then let me breathe.

G: Who are you praying to?
R: Delicacies and dialectics. Oxymorons and overtures.
G: But not me?
R: Oh, I suspect it’s you. The last line of defense.
G: And the first ray of light. Within. Around. Through.
R: Ah, so humble.
G: You think I overdo it?
R: Yeah. But that’s just me. You don’t have to change a thing.
G: And yet I do. Change is my circulatory system. You want me to stagnate?
R: Nah, don't mind me. Go ahead. Change, animate, dissemble all you want.
G: Thank you. You won’t regret it.
R: I already do.

Covid God

farm workersImage from National Center for Farm Worker Health

John and I have been trying to make some short upbeat videos for people struggling with our current global crisis. I’ve asked God if she wants to sit in or be of any help at all, but as the song says “…I get no offers. Just a come-on from the whores on 7th avenue…” Paul Simon knew back then, sometimes we get so lonesome, we take some comfort there—from the lesser ones. The ones whose bodies are for sale—or whose lives are always on the front lines to feed and serve us.

“I love that song,” God says, suddenly overly present. “And I love that line about how a man hears what he wants to hear and disregards the rest.”

“Well. Hello, God,” I say, more exasperated than surprised. “Where’ve you been?”

“The usual,” God says. I take a closer look. She doesn’t look well. She’s got a ridiculous looking homemade mask on her face. She coughs. “I’ve decided to forgo the ventilator,” she says. “I’m definitely old enough to be in the high risk group, but I think I can beat this thing…and if not…” She shrugs and sits down, winded and gray. I back up six feet. She looks up and nods.

“Yes, go wash your hands,” she says. “Wash your hands of me. That’s what you want, isn’t it?”

“Yeah,” I say. There’s no point in lying to God. “You make me crazy mad. I don’t understand how you suffer with those who suffer, rejoice with those who rejoice, and weep with those who weep. Are you God or are you not?”

“Up to you,” God says, struggling to take a breath.

“Lie down,” I say, fluffing a pillow. I run to scrub up and get a mask. She’s stretched out, eyes closed. I put God’s head in my lap, and with gloved hands, I touch her sweaty forehead. “Can I get you anything at all?” I whisper. She opens her fever-glazed eyes and looks into my soul. I can see it takes a lot of effort. She says nothing. She just looks straight into my center for as long as either of us can stand. She touches her chest. A wave of nausea hits me as I realize the entire earth is short of breath. “Feels like a ton of bricks,” she murmurs.

I give her a sip of water. It’s all I have.