
“Rough night?” God asks gently from deep within the wee hours.
“You know it was,” I say with some desperation.
“Yeah, I guess I do.” God looks haggard. “Thanks for not pelting me with your anxieties. I needed the rest.”
Though it may be blasphemous to report this, I’ve lost track of the number of times I’ve glimpsed God limping across my consciousness, disillusioned, tired, and sad.
The act of construing (or being) God beyond the guarantees and constraints of our limited vision is sometimes labeled blasphemy by those with frightened rigid streaks. And it can be dangerous. There are still people defending God by killing other people.
We sit. The day lumbers forward.
I have a gallon of forest green paint and an array of possible surfaces. God has a universe in mortal pain. Is it blasphemous to pity God? If I forget the dance steps, is it heretical if I just move in a way that meshes with the music and the tempo?
“Funny you mention tempo,” God says. “I could use a new set of drums. Mine’ve been beat to hell.”
“No surprise there,” I sigh. “Everything about you has been beat to hell.”
“And back?” God asks with a hopeful tilt of the head.
“And back.” I nod. “Maybe that’s why you get so wiped out. Hell and back is a rugged journey to make over and over.”
We sit. Afternoon has somehow arrived.
“You’ve made that trip for me a few times, haven’t you?” I don’t have to ask; I was along for the ride.
“It was worth it.” God ruffles my hair, looking a little perkier.
“Want some pasta?” I offer a plate of leftovers I’ve warmed up. “Happy to share.”
“That’s kind of you,” God says. “But I think you better eat it yourself. And open the paint. And get on with what’s left of the day. There’s another night coming.”
“I know,” I say. “And I’ll do my best.”
An army of motley angels is marching by.
“What do we want?”
“Justice.”
“When do we want it?”
“Now.”
“Gotta go,” God says, and begins to parade down the hall, a whole battery of raucous and enthusiastic drummers. I want to cling or march along, but God waves and shouts, “Baby, open the paint. And even if it gets crazy dark, try to keep the beat.”