Thanksgiving

            “Sometimes, your species is hard for me,” God said, looking a little haggard.

            “I know,” I nodded. “I don’t like people that well either. But it’s hard to write them off entirely.”

            “Yeah,” God agreed. “I often wonder what makes me hang in there.” She paused. I waited. “It might be the gratitude,” she said finally. “Humans are capable of saying thanks in a way that warms my heart. Nothing quite like it.”

            “Gratitude?” I asked. “You like that better than when they apologize?”

            God chuckled. Her corporealness was starting to fray. “Are you a worthy representative of all humanity?” she asked in an impish voice, a luminescent grin taking over what was left of her face.

            “No.” I shook my head emphatically. This was a trick question.

            The grin expanded. “Oh, no worries. You’ll do. Tell me how you feel when you’ve messed up and need to say you’re sorry.”

            I grimace. Confession of sins? Facing faults and shortcomings? Asking forgiveness? Not easy. Not fun.  

            “You already know this,” I said, giving God a look. “I hate failing and being wrong. I do not like needing to apologize.” I looked down at my hands and stopped talking, but in my mind, I went further. It’s complicated. I have my pride. Once in a while, I get stubborn and lie to myself or other people. And I blame others and feel sorry for myself…but I didn’t want to mention that to God.

            The eyes of God looked upon my soul. “My point, exactly,” she said. “People often make the same mistakes and sometimes, show up again, woeful and defeated. Or they get defensive and act like they’re not wrong after all. I accept apologies all day long, but I don’t enjoy the process, and I don’t think people do either.”

            God looked at her own hands, cracked a thousand arthritic knuckles, and stood into the stratosphere of herself. She wrapped the cloak of unknowability around her shoulders and set the sky on fire. “So, that’s why I like gratitude better than penance,” she concluded.

            “But how do you know it’s sincere?” I asked, but there would be no answer. The room, the land, the cities, the earth—everything had become one big party.

            God was center stage, doing an Irish jig. Darlings and demons cavorted across galactic dance floors, and all creation clapped and stomped, keeping the intricate beat alive. “Gratitude’s an attitude. Fake it ‘til you make it,” they sang. I couldn’t see who was playing the frenetic fiddle, but I did not want to join this ridiculous reverie. I needed some space, and God knew it. The scene receded and God’s merciful arms surrounded me. Only me.

            “Go in peace,” she said, dismissing me to my quiet place.

            “Thank you,” I whispered.

            “You’re welcome,” God said. We both meant it.

High Wind Warning

As dawn arrived, the wind picked up and all manner of things wired or weighted down began banging and clanging in protest, especially the artistic frying pan hanging next to the rusty tire chains. Everything not secured took flight. It was the last I saw of the brown tarp, the ordinary clothes I’d hung to dry, and the light pink clouds that make mornings easier. I ran outside and grabbed at vague shapes flying by, but it was futile. I looked up. The tempest had peeled the sky raw, and the gaping blue of infinity was in sharp relief. I wasn’t ready for the existential vertigo that washed over me. My lack of innocence was frightening.

“God!” I yelled from the middle of nowhere. “I could use some help here!” The voracious wind emptied my lungs and flung my words down the valley. I took cover in the low-slung fort I’d built as a child, amazed it was still there. On hands and knees, I inched deep into the soft, undisturbed darkness and found a place to hide.

This is where a Godness discovered me, hours later. I was thirsty and ready to surrender. The Godness began to sing against the merciless gusts in a tone lower than sound. Gradually, the wind died down, and we emerged to survey the damage. Fallen trees, stripped branches, shed antlers, lost feathers, disturbed water, dashed dreams—a landscape bereft of permanence. Neither God nor the earth engage in murderous self-defense. I could see why the promise of heaven makes so little sense. It’s only the promise of hell that matters.

I tried to whisper the names of God etched in the grounded patterns of dust and ash, but my lips were gone. Holy breath, warm and moist on my neck, made me long for my mother, or a simpler God, or something easier than gale-force wind. Gently, the Godness wrapped me in fragmented light and told me I would always be beautiful. I shook my head and blushed the blood red color of my favorite hollyhock.

Hollyhocks are biennials. The seeds from the parent plants sprout and gather force the first year and bloom madly the next. They can last for generations without any human assistance. The hope they inspire seems delicate. But it’s not.

The Long Gray Bird

The long gray bird is back with her disconnected head and graceful wing. She defines space that would otherwise be undefined, and she does so without much deliberation. She could have easily been compost or firewood which would have been fine. But for now, she’s an expression of God and grace, small nails, and a blank wall.

Last night on the news, I saw a soldier in combat fatigues: helmet, rifle, boots. He was sitting vacant-faced on the steps of a bombed-out building, the dark child beside him barely clad. Neither of them will ever find their way to my easy world. In fact, they may not even make it home.

I sleep, and in my dream, I welcome them. They are God. To the Soldier I say, “God, darling. You are beautiful and deadly. I wish you were obsolete.” To the Child I say, “Get up and run. It’s not safe here.” The Soldier looks me in the eye and hands me his rifle. “You cannot define the space around me,” he says. “I have to do that myself.” He lifts the Child into his arms with a certain finality and cushions her head safe against his chest.

I don’t know where they’re going or if they’ll return. I wave and try my best to smile, but the departure leaves me bereft, without purpose or direction.

“God,” I whisper, awake and facing morning, “You know I’d like to extend my reach; do things that make me feel important and complete. I’d like to turn the tide of hate into an ocean of love. I’d like to make the fear go away.”

The God of early morning is often soft, responsive to my naïve and narcissistic longings. She is patient. Unafraid. She knows that in any given moment, I could pull her off the wall, snap her neck, and put her in the woodstove, thus ending the torment of hope. She laughs like smoke. She is the residue of a well-lived life, the stubble in the field. She is sapling and ash, beginning and end, warrior and rose.

“I know,” the God of early morning whispers back. I hear the murmur of wings as the gray bird takes flight. “I am of your doing, and you of mine.” I nod, and again I wave and smile. But this time, no grief. I’m at peace with the leavings. Joyful, even. There is little doubt that in my next dream, I will learn to fly.

The Flower Show

Photo of Roxy Paine’s original work

It’s morning in New York City. I’m leaning against a pile of fluffy white pillows, gazing out the window, seven flights up, with a warm dark beer balanced on my belly. Across the narrow street, I see bricks, mortar, and shiny ventilation systems. I’m trying to quell my claustrophobia. Thank God for the beer. It wasn’t easy to find. “I guess anything worth anything is not easy to find, right?” I say to my faithful co-author.

“You tell me,” God says, her feet wrapped in the hotel’s luxurious comforter.

“Okay, I will,” I say. “For instance, you. You’re not easy to find.” But I catch myself. “No. Wait. Not true. You’re actually too easy to find. You smell terrible, you speak other languages, you have needs. It’s what the hell to do about you that’s hard to find. The Tao. The long and winding road. The way…it’s so foggy, steep, and dangerous. It’s slick. Nasty. And brutally beautiful.”

God leans over. Takes a sip of my beer. Rearranges her pillows, and sighs. “You are so right,” she says. “I do smell terrible. Not everyone is pretty, you know. Cut me some slack. Not everyone is perfect.”

I nod, but I don’t apologize. God continues. “Some of my favorite islands are going under. I make you this nice planet. You rip it to shreds. I make you all so similar, like family. You rip each other to shreds. Over money. Pride. Jobs.” She says ‘jobs’ with a sneer, pauses, and finishes with, “And you think I stink? Ha!”

I throw my arm over God’s familiar shoulder. “Yeah, you’re right. This is old terrain between us, isn’t it? Alive or dead, we mortals stink up the place. I’m glad you stink, too.”

God laughs. Suddenly, there are flowers. Funeral flowers. Wedding flowers. Light pink. Baby blue. Lilacs, clematis, columbine. And I am young, winning the junior division of the local flower show with flowers my grandmother grew. Then, I am old and all I grow are sunflowers, hollyhocks, and poppies. It seems we are doomed to seek comfort, solace, and the easy, deadly way.

“No, you’re not,” God says. “I’ve made sure you have reasonable options.”

I settle back in the pillows, take one more sip of beer, cork it, look straight at the New York God beside me, and shrug. God knows I won that flower show because my only opponent was particularly ugly and inarticulate. The sad truth is that her flowers were spectacular. Nearly perfect. And she grew them herself. My grandmother was proud anyway. I tried to tell myself, ‘A win is a win.’

But I didn’t believe it then, and I don’t believe it now. God will linger at the finish line, waiting fondly for the losers until there’s no such thing anymore. And all the former losers will be busy, planting and protecting, sacrificing and celebrating, honoring and adoring everything that blooms.