When for No Apparent Reason You Paint a Broken Rake

There are forces in the universe–neatly stacked wood, oranging pumpkins, stalks of hollyhocks gone to seed, fresh-cut alfalfa, twisted driftwood, cattle in the distance, air newly cleaned—these ferment my brain into dangerous effervescence. I approach the brink of God, dip my toes, and come undone, possessed by the moment that is not a moment that is full and tragic, achingly beautiful, and all that will ever be.

God is the God of mortar, lichen, and worn-away stone. God is the degradation of birth, the elevation of death, the definition color, an infinite splintering of light; wave and particle, energy and mass. God is the invasion of microbes, a dash of salt, the overweight cook in the kitchen where all is reformed into loaves that bake while the fish fry, and the fact of time is debated over expensive red wine.

“Fancy,” God says, settling. “I like what you did with that rake.”

“Thanks,” I answer, proud that he’d noticed. Yesterday afternoon, with unworthy fingers and no explanation, I had painted the tines of a broken rake. “And I like what you did with the morning,” I continue. “It’s taken me completely apart.” 

“I know,” God says. “I love you like this, all shredded and spikey.”

“Sure you do,” I say, the vertigo that is God making my eyes misfire so I cannot distinguish between inside or out, hand or foot. “Sure you do.” The crystals in my inner ear are mixing the signals. I snap the last carabiner open, and the chains fall to the ground.

“Wait,” God says as I begin to dissipate. “I wanted to give you a hug.”

“Can’t,” I say. “Covid.”

“Ha!” God laughs. “Good one.” The embrace is labyrinthian; my body folds in, flows out, reconfigures, settles, and I am ready. Again. For now. For nothing.

We Have No Sheep

Any minute now, God is going to show up with a new tattoo. He calls them Prison Ribbons. Medals of Honor. He’ll be revving a stolen Harley. He’ll be broke. If arrested, he will be killed.

Any day now, God is going to knock meekly on the outside door, waiting to be welcomed in. She will be crying. There are things too painful to bear alone.

Sometime in the afternoon, God is going to hear someone praying to win a soccer game, begging for help with an obstinate child, asking for healing, or relief, or just one more day, alive on the planet.

This evening, God is going to corral the sheep for their own safety. There’s been a mountain lion sighting. Even the dogs are nervous.

And me? Oh, I’ll be friendly enough. I’ll do some weeding in the garden. Bake some bread. Read. Think. Write. Plan. Argue. And I’ll wait. That’s the hardest. The waiting.

Unbearable, unthinkable companion, could you wait with me? Unload the guns? Unpack the anger? Could we dismantle our fears together? Maybe we could examine our jagged little pieces of hatred and throw them in the river. They won’t skip, but over the eons, they’ll smooth into gleaming stones.

I want to build a translucent wall of agate and quartz that everyone can touch—the living and the dead—the livid and the lucid and the lame—the wayward sons and daughters of a very wayward God.

But I find myself chewing my thumbnail, drinking my beer, rocking in the recliner like the old fool I’m becoming. I want to buy a donkey to protect the sheep. We have no sheep. We have terror, borrowed time, and limited vision but, as of this moment, we have no sheep.

Plagues, Pestilence, Fire, and Greed

Image credit: Aljazeera

It is terribly tempting to detach from the news. But I can’t. Protests, fires, floods, torture, gun accumulations, fascists, pandemics, stupidity, war, rape, riots, starvation—these are where the weakest live and die, where misery is chronic, where God makes her home—on the precipice of annihilation.

“I have to let them suffer,” God says as she darkens the room. “There is no other way to show you your failings. No other way to challenge you forward. But I die with them. Every single mangled body. Every single last breath. Each rotten, contorted act of injustice. I’m right there.”

“Yeah?” I say, feeling nauseated and furious. “Yeah? And are you there with the bomber? The shooter? The choke-holder? The fire-starter? The pompous politicians? The filthy rich?”

“Honey, you know I am,” God says in an imploring voice. “I know you’re angry, but you know I am.” And God’s right. I do know. That’s why I pray and swear my way through the sickening news. But it makes me crazy.

If God fully materialized, I’d punch her lights out. I’d go down swinging. If her ears were visible, I’d give her an earful. I’d look her straight in the eye and tell her she’s a failure. I might even reach for her heart, intending to pull it out and examine it with my angular fingers and ever-diminishing vision. But luckily for both of us, she’s staying safely out of reach.

“Honey, I’ve forgiven you,” she says. “And the polite thing to do would be to forgive me back.”

Forgive God for this lousy short existence? For the nightly exposure to the sufferings she could end? Forgive God for what’s happened to people enslaved, burned alive? Women abused? Children starved or beaten to death? Forgive God for the explosive human ego and the fanatical fears that are wiping us out?

“Forgiveness is an act of faith,” God says.

“Stop it,” I say to God. “You’re God. You can do whatever you damn well want.”

“I know that,” God says. “I’m fire and water. I’m beauty, compassion, blood, and guts. I’m beyond and under, alongside and within. And you need to try a little harder. You have to forgive yourself. And me. And carry on. You need to believe against the odds it will come out okay.”

“I can’t,” I say. “It won’t.

“You can,” God says. “It will.”

“I won’t,” I say.

“You will,” God says. “Like I said, forgiveness is an act of faith. And I believe in you.”

For Paula

This morning I awoke in the land of the living but someone I loved for decades did not. Her long life ended peacefully last night, and the world is emptier this morning. God wants me to edit that last line because it isn’t quite accurate from God’s perspective, but I’m not going to. From my perspective, one of the gentlest, most generous people I’ve ever known is gone, and the world is emptier. From God’s perspective, all things transform. Time is an elastic metaphor God uses to teach us about love. I don’t like today’s lesson. Love is costly and painful for linear beings.

The last time I saw her, with some hesitation, she let me hold her hand, birdlike bones covered in bruised, paper-thin skin. She recognized the warmth of my hand. That’s all. Most of her had already melted away. During that visit, God spent his time in the kitchen making chocolate cake. She and her roommates, the vacant people in their vacant chairs, still relished a bite of warm cake with a touch of ice cream.

But there comes a time when there is nothing left to relish. The curled body tightens into a perfect circle, and it is done. Finished. A life has been accomplished. The final grades are in. The eternal vacation of liquid soul has begun. But God objects again. He claims there is no beginning. No end. Only flow. And again, I refuse to edit. And I cry. And God cries.

This is the thing I like about God. He willingly gets linear and crawls right into the pain. He sobs, surrounds, and sits with me. He reminds me how many ways there are to die, and we marvel together that I have this day. This moment. That’s all.

The Mystery fractures into light. Photosynthesis begins. The Bread of Life is chocolate cake. The Living Waters of her endless kindness flow to the sea, and there the kindness shall flow again. There we shall all flow again. She loved walking on the beach, collecting sand dollars, remembering the clam digs. I wish we’d walked there more, but I’m grateful for the times we did. I see her knobby feet in the sand, her old-lady pants rolled to the knee, her face turned to the endless horizon. “Safe travels,” I whisper as the Mystery takes her away. I’m pretty sure I saw her wave.