There are forces in the universe–neatly stacked wood, oranging pumpkins, stalks of hollyhocks gone to seed, fresh-cut alfalfa, twisted driftwood, cattle in the distance, air newly cleaned—these ferment my brain into dangerous effervescence. I approach the brink of God, dip my toes, and come undone, possessed by the moment that is not a moment that is full and tragic, achingly beautiful, and all that will ever be.
God is the God of mortar, lichen, and worn-away stone. God is the degradation of birth, the elevation of death, the definition color, an infinite splintering of light; wave and particle, energy and mass. God is the invasion of microbes, a dash of salt, the overweight cook in the kitchen where all is reformed into loaves that bake while the fish fry, and the fact of time is debated over expensive red wine.
“Fancy,” God says, settling. “I like what you did with that rake.”
“Thanks,” I answer, proud that he’d noticed. Yesterday afternoon, with unworthy fingers and no explanation, I had painted the tines of a broken rake. “And I like what you did with the morning,” I continue. “It’s taken me completely apart.”
“I know,” God says. “I love you like this, all shredded and spikey.”
“Sure you do,” I say, the vertigo that is God making my eyes misfire so I cannot distinguish between inside or out, hand or foot. “Sure you do.” The crystals in my inner ear are mixing the signals. I snap the last carabiner open, and the chains fall to the ground.
“Wait,” God says as I begin to dissipate. “I wanted to give you a hug.”
“Can’t,” I say. “Covid.”
“Ha!” God laughs. “Good one.” The embrace is labyrinthian; my body folds in, flows out, reconfigures, settles, and I am ready. Again. For now. For nothing.